11th November Brooke, Opening Scene 5

 In our scene today we presented the following:

Plot: two police officers come back to work and both get in a car to a checkpoint. In the car, officer 1 is suspicious of officer 2 and starts asking him questions, when he starts giving off even more suspicious vibes, officer 1 pulls over and starts straight on interrogation him. After officer 2 gets defensive, officer 1 backs off and starts the car engine, and prepares to keep driving, but before he starts to drive, officer 2 says he has to leave for something urgent. When he attempts to get out of the car, officer 1 locks the car doors , and both officers exchange death stares. 

Another interpretation of this script is a kidnapping situation which we also thought about and put into account. We portray Brooke, especially with the use of sound, as we will be using a speaker for the locking of the door effect, and car brakes.

Comments

Post a Comment

Popular posts from this blog

Stanislavski

  Konstantin Stanislavski was a Russian actor, director, and theatre practitioner. Stanislavski Technique stems from his theatre practice and is still used by actors all around the world today.  The method is an actor training system made up of various different techniques designed to allow actors to create believable characters and help them to really put themselves in the place of a character.   Stanislavsky’s System is a series of techniques to help actors develop natural performances.  He constantly pushed his actors to explore new techniques, and students who studied under him in the 1890s performed different exercises than his students in the 1920s.
Read more

Research Grotowski and Peter Brook

 Jerzy Growtowski and Peter Brook ere involved in Polish Laboratory Theatre,  a fiercely dedicated acting ensemble sought to cut through the bonds of the polite literary tradition to rediscover basic human drives and conflicts. They practice  The Empty Space and Towards a Poor Theatre. Growtowski's form of theatre is often called poor theatre Brook and Grotowski were central figures in the initiation of an Australian performance revolution of the 1970s; and the performance renaissance which emerged from women’s theatre as a reaction to the male-centric ‘ocker’ sensibilities at the time during a movement in which Brook and Grotowski figured prominently. https://ses.library.usyd.edu.au/handle/2123/18140
Read more

Reflect on the pieces designed by your peers and how they created emotion.

 The pieces created by each of my classmates were phenomenal. In Jackon's piece, the music had an upbeat tempo but was also very calm and it made me feel like I was on a beach on vacation. His movements also amplified the vacation feeling. For Geffen's piece, I loved how short it was, and I think it had a few sharp movements and fluid fighting sequences/ movements. For me, I feel like it was slow motion because it felt like fight choreography. Aishlinn's piece was also another favorite because I am a huge Adele fan and her movements for the Adele concert made me feel like I was at the concert myself and it also made me feel the emotions of the song. Kam's piece started off with a slow tempo then a fast tempo, it was very lyric-driven and I loved the idea of us starting off as an egg then becoming freer, then hugging ourselves, representing self-love. Millie's piece gave me a 2010's vibe and I felt like I was on the set of a Disney show. The dance moves were cool...
Read more