Video

 https://share.icloud.com/photos/0aIDeym3k9BjFXwscY00yRqFg

To be played with 

https://www.youtube.com/watch?v=S-Xm7s9eGxU 

Comments

Post a Comment

Popular posts from this blog

Research Grotowski and Peter Brook

 Jerzy Growtowski and Peter Brook ere involved in Polish Laboratory Theatre,  a fiercely dedicated acting ensemble sought to cut through the bonds of the polite literary tradition to rediscover basic human drives and conflicts. They practice  The Empty Space and Towards a Poor Theatre. Growtowski's form of theatre is often called poor theatre Brook and Grotowski were central figures in the initiation of an Australian performance revolution of the 1970s; and the performance renaissance which emerged from women’s theatre as a reaction to the male-centric ‘ocker’ sensibilities at the time during a movement in which Brook and Grotowski figured prominently. https://ses.library.usyd.edu.au/handle/2123/18140
Read more

Stanislavski

  Konstantin Stanislavski was a Russian actor, director, and theatre practitioner. Stanislavski Technique stems from his theatre practice and is still used by actors all around the world today.  The method is an actor training system made up of various different techniques designed to allow actors to create believable characters and help them to really put themselves in the place of a character.   Stanislavsky’s System is a series of techniques to help actors develop natural performances.  He constantly pushed his actors to explore new techniques, and students who studied under him in the 1890s performed different exercises than his students in the 1920s.
Read more

Compare and Contrast: Artaud and Grotowski

  Rewatch the Artaud and Grotowski videos from the Five Truths. Compare them and think about the ways that they are similar and different and how they create TEAM in each version. After learning and hearing different perspectives in class, rewacthing both scenes openedup my eyes to some things I had not noticed previously. Artaud's form of theatre might be seen as therapeutic because it entails 'acting out' and might be cathartic for the actor or the audience, breaking free of restrictions that keep one from being fully alive. In the rendition of Ofilia from Hamlet the wonderful actress Michelle Terry, delivers a very emotional and contradicitve piece. I observed the rage when she throws the riing at the fish, and restricted confusion when she was looking into the fish bowl, then when the angle changed it seemed like she was going insane, and the loss of her father was overcoming her. The build up from being calm while looking through hus things, then throwing the ring, the...
Read more